The Lonely Summer

Apparently, I was lonely that summer. 

“My heart just broke for you,” my mom told me, years later. “You know, the summer when your friends stopped calling and everyone was busy with someone else? You just wandered around that summer, looking sad and alone and lost. No one was around when you called.”

“I called people?” I asked, my face scrunched up in confusion. Particularly as a child, I had a borderline phone phobia, willing to show up in public semi-nude if it meant I could avoid talking to someone on the phone. “Well…” admitted my mom. “I probably made you call someone once.” 

Ah. Yes. That sounded more accurate.

I twirled the lock of hair faster through my left fingers, trying to place this summer of devastating loneliness. Had I simply repressed that summer? Was it that traumatizing? 

“I think it was maybe the summer of Miracle Worker?” my mom mused as the ripely pungent banana chunks drowned in the banana bread batter under her KitchenAid mixer. “Maybe you were so busy at the beginning of summer with theater rehearsals that everyone just found other things to do.” 

Yes. I thought as a light illuminated in“The Miracle Worker” hallway of my mind. I smiled as I flipped through memories of the summer that I became Helen Keller.  

Warm memories the color of buttery yellow late afternoon sunshine filtering through half-closed eyelids, quasi-napping under glossy oak leaves dancing Tarantellas in the South Dakota gales. 

Memories that taste like the crispy green of snap peas fresh from the garden. 

Memories that feel like burning quads and calves after biking up and down the rare South Dakota hill. Like purpley-green bruises on my my hips and shins from hours of fumbling relentlessly around the house, blindfolded and ear-plugged, trying desperately to understand just a teensy bit of Helen Keller’s world. 

Memories that smell of freshly mown grass and crackling campfires and that punchy explosive smell just after fireworks fly.  Like the dusty, magical, welcoming aroma that somehow smells the same in all small-town community theater rehearsal spaces. Of decades of used and reused costumes and props. Of excitement and nerves and cheap makeup. Of thrilling abandon and layers of peeling paint and Aquanet hairspray. And, because it was South Dakota, the occasional waft of cow manure on particularly blustery days.

Memories that sound like glorious silence and thunderous applause. Like wind rushing past my ears and crunching gravel under bike tires and popcorn popping with cheesy pepperoni Pizza Hut pizza melting into Family Movie Nights.

Yes. That one summer, in the early 90s, on the cusp of entering The Dreaded Teen Years when the letters spelling Swiftwind traipsed across the bar of my pink and silver Schwinn bike. The shimmering  letters were bold and magically swirly, still pristine, unscratched and unfaded. I rode Swiftwind fast and far, nearly every day that summer. Alone. Which was just fine by me. Because I had discovered that my friends now thought it was definitively uncool to imagine that a bike magically transformed into Swiftwind the Pegasus whenever one rode fast enough. Which, of course, is what I did. I mean, can you get a better Pegasus name than Swiftwind?

Swiftwind carried me over the paved streets and across the gravel road between two pastures. We flew, my Jansport backpack stuffed with a thermos of water, a pack of Ritz crackers, a handful of garden peas, my Miracle Worker script, and my Lisa Frank dolphin notebook. Underneath the shade of the gigantic gnarled oak tree, I memorized stage directions and became Helen Keller, alone, in the hidden safety of the unpopulated South Dakota gravel roads. I sketched and wrote poetry and imagined I was a wolf. A lone wolf, under a lone tree, in the vast and spreading prairie. 

The summer I was lonely. 

That magical, refreshing summer where I belonged completely to myself in the fullness of how I was created. The summer I was untethered from the increasingly demanding rules of tween & teenage girl social structure. That summer, I was free from blindly nodding and chuckling along with my friends, clueless about their their pop culture references and jokes, but too embarrassed to ask. I tried to listen to the Mariahs and Madonnas and Boyz II Men and TLCs that my friends raved about. But I just couldn’t make myself care—all I wanted to hear was Mannheim Steamroller, John Denver, Peter, Paul, and Mary, the soundtrack to Dances with Wolves, and show tunes sung by Howard Keel and Dorothy Day and Julie Andrews.  

That summer, my brain got a sabbath, temporarily relieved from the generally unsuccessful attempts of those early tween and teen years to cram itself into a “socially acceptable” box—crisply uniform on the outside, but rumpled and suffocating on the inside. The summer where I was not yet sure enough of myself to be myself. But that was okay. Because I was gloriously by myself

The summer I was lonely. 

Lonely. Alone. The two words are so similar—only three little letters apart—that we equate the two. Where there is one, the other will necessarily be found. Right? If you are alone, especially for long stretches of time, you must be lonely. Right?

Yes, I have felt the darkness of lonely. Lonely is smiling in a group of people all laughing at a reference I don’t understand. Lonely is frustration that my thoughtfully crafted questions, yet again, have come across as aggression. Lonely is being among people who all love me, and don’t hide their frustration that I still can’t manage to do those simple things that everyone else learned by the third grade. Lonely is trying yet again, to show my love and appreciation, only to have it fall flat and unacknowledged. Or worse, resented. Lonely is fearing that if I share what’s really in my head, people will cringe. Or laugh. But not in the good way.

Yes, I have felt lonely

But not that summer. Not from being alone.

For me, alone, feels like a giant exhale at the end of a busy, beautiful day, one that has been filled with people I love and activities that bring me joy. Alone is sunshine spattering down onto the crook of a tree trunk, dappling the pages of my Babysitter’s Club books with only the chattering chickadees to keep me company. Alone is writing, creativity unbridled as the words snake out of my head and through my fingers. Alone is a magical land, a place outside of which some things can never exist. A place where I can set down and ignore my heavy luggage. Suitcases filled with the tools I need to be, to speak, to exist, in ways that make sense to those around me. 

Alone, I know, is a place that has never been forced upon me. Rather, it is often just out of reach. So, for me, alone, feels like time chosen, time free. Alone, for now, is sacred and holy. Alone is not where I always want or need to be. But it is somewhere I will always want and need to visit

When I am never alone, that is when the loneliness begins to creep in.

Because alone is the place where I remember to love who I am. In all my celebrated gifts. And in all the ways I don’t fit. 

So, that summer? I was not lonely. But I was alone. 

And it was glorious. 

 

The obligatory introductory post

I could start this, my first official blog post, with the standard small-talk tidbits. You know, stuff like:

  • Along with three million other girls of Scandinavian descent born in the upper midwest in the 1980s, my birth certificate says I’m “Kristin Kathleen.” 
  • A few years back, some canny friends shortened my name to Kiki. Being Kiki makes me feel creative, mysterious, and unique.
  • I have had three other nicknames in my life: TeeTee, Spike, and Jimbo. I’ll just let you imagine why. Your imagination will definitely be more interesting than the truth. 
  • Despite my best efforts, I am an all-or-nothing kinda gal. This means that I have 4 kids, 14 pets, and 0 ball gowns.
  • My husband of almost 17 years fits me well. He has 34,519 plants, 2 doctoral degrees, and also 0 ball gowns.
  • My professional opera singer sister, however, has 0 kids, 0 pets, 0 plants, and 2,139 ball gowns.
  • My little brother and parents, who work in the medical field, say they have 0 ball gowns. But really, one never knows.
  • We are recent transplants to the homeland of the Cherokee in East Tennessee. We lament their violent removal and try to steward this place well.
  • Science and garlic make me happy.
  • I have yet to find a way to describe this thing often called faith without it being hijacked into obnoxious political fodder or sanctimonious religious ammunition. The closest I’ve come is to simply say that this writer is captivated by existence within the theos who is Word and Love and Breath.

So I could start my first official blog post that way. But–and this may shock you–I don’t really get small-talk. Put me in any situation where I’m supposed to chit-chat about meaningless pleasantries or share surface level, basic information, and I start to panic. My hands get sweaty and my voice gets fast and squeaky and usually within the first 45 seconds of conversation, I will invariably blurt out, “I know it’s 92 degrees outside, but I had to wear leggings because I haven’t had time to shave my legs in the last several months!” 

So, let’s just dive in. 

I have spent my life running from writing.

Well…That’s a partial lie.  

I’ve been a professional writer for over a decade. A very practical kind of writer. The kind of writer who has a master’s degree in International Public Health. You know, the kind of writer who writes the most important things:

Grants. 

Reports. 

Project updates. 

Budget justifications. 

Program fact sheets.

The kind of writing that leads to immediate action. Education and a safe place to thrive for beautiful children in favelas of Brazil. Access to healthcare for brave Somali refugees in Minnesota.  Food, healing, and shelter for precious souls terrorized by the Islamic State invasion of Iraq and Syria. 

 Floored by the immense suffering in this world, I wanted to make a dent in the pain. Fast. So, I immersed myself in program writing and ran full-speed away from a certain kind of writing. 

Stories.

Now, I have always known that stories are life. We simply cannot exist in this world without them. Stories—often subconsciously—drive our actions, shape our worldview, even determine who deserves our empathy and care. Throughout human existence, stories have revealed truth. Cultivated love. Inspired action. Our souls need stories to help us comprehend the depths of meaning and connection. Heck, stories have changed my life.

Oh, I flirted with stories over the years. I chronicled my creative endeavors on a DIY blog. My sister and I blog-bantered back and forth, sharing stories from our divergent life paths. But I didn’t see this as “real” work. 

I used stories in my “real” work. Story-telling woven into the nitty-gritty data is what made me a great program writer; as Brene Brown asserts, “Stories are data with a soul.”  We need facts and data to make wise choices about where to invest our time and money. Yet, we all need stories first, to make us pause long enough to question our worldview and see beyond our own needs. 

I have always seen the immeasurable value in reading others’ stories. Or planting someone’s story in the middle of a grant narrative. But for decades, sharing the stories of others outside of a blatantly direct call to action felt futile. And writing my stories? That felt entirely frivolous and indulgent. My stories, devoid of anything particularly action-inspiring, lifesaving, or suffering-relieving, seemed…well, silly. Impractical. Immature. A little kid hiding under her covers, scribbling by flashlight in her wide-ruled notebook. 

Sure, writing stories suffused me with glee; every time I moved from formal programmatic language into narrative, I felt like my feet hovered a few inches off the ground. Sure, not writing stories made me feel a bit like I was suffocating. But really, Kiki, what exactly do you think your half-concocted, incoherent scribblings are actually going to do?

I wanted—needed—to be the kind of writer that gets stuff done. Immediately. A Magical Unicorn Ninja Writer, swishing her magic pen around and making miracles appear.

And then I crashed. And burned. 

Now that is a whole story in itself, but the beauty that came from wallowing in the smoldering ashes of my savior-complex life was that I finally saw the truth: 

Greater and faster visible impacts does not equal greater value

Program writing is important. But so is simply writing stories. 

Stories can plant seeds. Sprinkle water. Crack the shades to let in a beam of light. Cultivate deep, slow growth. Crumble isolation. 

The change that comes from winning a new grant can be immediate—measurable and exciting. It feels—and often is—rapidly life altering. The change sparked through stories, on the other hand, requires faith and patience. This kind of change is often hidden and moves at a glacial pace, seen only with the advantage of distance and time. 

Yet, both are invaluable. 

So now, I write life. As it is. As it could be. And invite others in. 

If my story makes someone feel less alone—even for a second—that is enough. 

If my story makes someone chuckle, that is enough. 

If my story can give one kid words for the big feeling or scary thought, that is enough. 

If my story inspires one person to say, “yes, that could be!” that is enough. 

If my story offers nothing more than a moment of rest or a bit of beauty, that is enough.

Writing life is enough.